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Panasonic AJ-D580P

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Item #:EQ512155U
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Model Description:
D-5 1/2 inch Component Digital Studio VTR, full editing pre-read RS-422 & RS-232c, 6 RU in height

Model Details

  • Fully transparent (CCIR) 4:2:2 10-bit (13.5MHz) component recordings without compression
  • Play time on 1¼2" MP cassette/full 2 hours
  • 4 channels of 20-bit, 48kHz PCM audio
  • Analog cue track
  • Full LTC/VITC
  • Full editing capabilities, insert, assemble and pre-read
  • High-speed search 50X play speed
  • Auto tracking range -1 to 2X
  • Program play mode, 85-115% play speed in 0.1% increments
  • 9-pin serial RS-422A control
  • 25-pin RS-232C control
  • 50-pin parallel control
  • Remote video/audio level control
  • 6RU in heightOptions

  • Video Sampling Frequency : 13.5 or 18MHz

Additional Detailed Information:
Wikipedia notes about the D5 format: ( Note, the AJ-D580P alone is not HD)
From Wikipedia, the free encyclopedia
Panasonic D-5 HD VTR AJ-HD3700H
A Cassette Tape for D-5 HD (Medium)

D-5 is a professional digital video format introduced by Panasonic in 1994. Like Sony's D-1 (8-bit), it is an uncompressed digital component system (10bit), but uses the same half-inch tapes as Panasonic's digital composite D-3 format. A 120 min D-3 tape will record 60 min in D-5/D-5 HD mode. D-5 standard definition decks can be retrofitted to record high definition with the use of an external HD input/output box. The HD deck conversion does not allow for any error correction that exists on standard definition recordings, as the full bandwidth of the tape is required for the HD recording.

D-5 HD[edit]

D-5 HD uses standard D-5 videotape cassettes to record HD material, using an intra-frame compression with a 4:1 ratio. D-5 HD supports the 1080 and the 1035 interlaced line standards at both 60 Hz and 59.94 Hz field rates, all 720 progressive line standards and the 1080 progressive line standard at 24, 25 and 30 frame rates. Four 48 kHz 24-bit PCM audio channels, or eight 48 kHz 20-bit channels, are also supported. D-5 runs at different data rates for different formats (taken from the hardware manual for the AJ-HD3700B:

  • 323 Mbit/s (1080/59.94i/8CH, 720/59.94p/8CH, 480/59.94i/8CH)
  • 319 Mbit/s (576/50i/8CH)
  • 300 Mbit/s (1080/59.94i/4CH, 720/59.94p/4CH, 480/59.94i/4CH)
  • 258 Mbit/s (1080/23.98p/8CH, 1080/24p/8CH)
  • 269 Mbit/s (1080/50i/8CH, 1080/25p/8CH, 576/50i/4CH)

HD material is often captured for post production of film projects, whereby the D-5 HD scanning equipment is cheaper by the hour than a full resolution 2K film scan. Digital HD tape photographed movies such as Star Wars Episode II, Superman Returns, and Miami Vice often record to a 1080p format, however, these were mostly produced using the competing HDCAM and HDCAM SR formats from Sony. As of 2010, no D-5 HD camcordershave been offered for sale. Panasonic instead markets DVCPRO HD and P2 camcorders for field production of 720P or 1080i and 1080p images. [1]

In 2007 Panasonic introduced an add-on box (AJ-HDP2000) that allows a standard D-5 VTR to encode 2K (2048 x 1080) resolution material with 4:4:4 color space onto D-5 tape using the industry standard JPEG2000 wavelet-based compression.[2]

Additional Information

panasonic_aj-d580h AJ-HDP500.pdf
AJ-D580 AJ-PB35.pdf

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