ARRI Alexa 4:3

Model Details

The ALEXA Plus 4:3 joins the ALEXA Studio and ALEXA M, which already have 4:3 sensors, rounding out a line-up that now represents the perfect solution for anamorphic productions. The Studio might typically function as an A-camera, the Plus 4:3 as a B-camera and the M as a compact, versatile C-camera.

With the ALEXA 4:3 cameras, the full area of the sensor is used and a much higher image quality retained. In addition, the unique optical characteristics of anamorphic lenses ? the magic at the heart of anamorphic cinematography ? are rendered faithfully and fully in the digital image.

Features:

• Film-like, organic look
• High Dynamic Range
  • 14+ stops exposure latitude over the entire EI range as measured with the ARRI Dynamic Range Test Chart
  • extended, clean highlights
  • extremely low noise floor
  • holds up extremely well when over or underexposed
  • future proof for High Dynamic Range (HDR) displays
• Sharp, natural images for HD, 2K, 4K UHD or 4K Cine deliverables
• High sensitivity
  • true base sensitivity of EI 800
  • adjustable from EI 160 to EI 3200
• ARRI color science
  • natural color reproduction, especially for skin tones
  • excellent color separation
  • great at resolving mixed color temperature sources
    
    

    • Built-in Remote Control Features

      • ARRI Wireless Remote System (WRS) functionality
      • real-time wired or wireless remote control of lens and camera REC/STOP
    • Built-in Lens Data System (LDS)
      • lens mount includes new LDS contacts
      • numerical lens data and depth of field display in viewfinder and MON OUT
      • lens metadata in ProRes, HD-SDI and ARRIRAW (SUP 3.0)
      • Lens Data Archive (LDA) for use with non-LDS lenses
    • A Second MON OUT Output (1.5G HD-SDI)
    • A Third RS Accessory Power Output
    • Lens Synchronization for 3D
    • Built-in Position and Motion Sensors
    • Quick Switch BNC Connectors
      • can be exchanged without camera disassembly